White had worked with Leo in the very early days of Fender Electric Instrument Manufacturing Company as the plant manager and stayed on after the company was sold to the CBS Corporation , but had grown unhappy with their management. Tom Walker worked as a sales rep at Fender. Because of a year non-compete clause in the contract that sold the Fender companies to CBS, Leo Fender was a silent partner. The name of this partnership was changed to Musitek, Inc. In , the company started producing its first product, an amplifier designed by Leo Fender and Tom Walker called the “Sixty Five”. It was a hybrid of tube and solid state technology. The preamps used the then burgeoning solid state “op-amp” integrated circuits embodying traditional Fender preamp time constants and architecture, while the power amps typically featured a Cathode Driven Tube power amp stage, much as were used in the radio broadcast industry in AM Transmitters. There were a few models with a tube phase splitter in them, but for the most part Music Man amplifiers used the faster responding common Grid, Cathode Coupled drive from a solid state front end that players characterized as “loud as hell”.
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In fact, it was likely that your parents were steering you in the direction of accordion lessons. The Beatles — and of course others — stopped all that. Suddenly, electric guitars were 1 on every kids Christmas list. Companies that had been manufacturing Accordions for 20 years, retooled for electric guitars. EKO was at the forefront, and within 2 years they were shipping over 10, electric guitars to USA per year.
Fender, Gibson, Gretsch, Rickenbacker… these were all too expensive for our parents to buy for us.
In an interview conducted by Gav Townsing , George Fullerton offers this scenario:
Epiphone Les Paul Epiphone Les Paul Dating back to and once a major rival of Gibson, the Epiphone company and brand were purchased by Gibson’s parent company in Originally the Epiphone models were made in the same factory as the Gibson guitars, by the same craftspeople using the same materials and often with the same features as Gibson models, but manufacturing of most of the Epiphone instruments was switched to Asia sometime around Today, Gibson primarily uses the Epiphone brand as their high value, lower priced overseas-built alternative to their top tier Gibson USA models.
All Epiphone models sold in the United States are subjected to a 15 point inspection process, and are “set up” in the USA by trained Gibson employees at their Nashville facility. Around , Les Paul, a legendary musician and musical electronics and solidbody guitar pioneer, created one of his early solid bodied guitars after-hours in the Epiphone factory out of a 4X4″ piece of wood. On to this he later attached side “wings” from a Epiphone hollowbody guitar in order to give it a more conventional look.
This guitar, known as “The Log”, was later shown to Gibson executives, who initially passed on the idea of building them, but they changed their mind within a couple of years and the Les Paul Model guitar as we know it today was first released in These early “gold top” models were later joined by the black Les Paul Customs, and then the sunburst “Standards” of the late s.
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However, here are the wives, and ex-wives, you may not remember. They had 4 children together: Sadly, their son Scott died of sudden infant syndrome at 2. The two divorced in But, they remained close and still keep in touch.
They are analogue by nature and can’t really be replaced that easily.
Finally the perfect Les Paul Over the years Gibson has tried so many different things on LP’s but they finally built the perfect one for me and probably for you too. Let me run it down: Read complete review Over the years Gibson has tried so many different things on LP’s but they finally built the perfect one for me and probably for you too. The reason LP’s always had killer sustain is the thick mahogany body has tons of resonance.
IMO the best neck they’ve ever made. Thin and very fast. BB3 can cover glassy cleans through thrash metal. The 57 classic is so smooth and produces really thick smooth creamy distortion. One of my faves is toggle switch in middle position, neck pup with knob pulled, bridge pup knob normal. I use that to play Lenny and it’s as sweet and glassy as the finest strat.
Satin finish on back – Very fast finish. I’ve played where my hand got really sweaty and it’s still fast. For years guys had to purposely dull the neck finish.
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He remained active until his untimely death in February His main guitar in the early years was a Les Paul acquired from Peter Green of Fleetwood Mac, which he owned for more than 40 years before selling it in This is the guitar that Gary used on his best selling album Still Got The Blues, and the one he kept by his side until his death. As said, Gary used this guitar very briefly and it pretty much disappeared after mid If you happen to know what happened to it after, be sure to let us know using the contact form at the bottom of this page.
After leaving Fleetwood Mac in Peter borrowed the guitar to Gary, as he was sort of a mentor to him in the early years.
Fender chose quality pickups for this model, the custom shop Texas Special, formerly reserved for only high end models.
Not Peggy Lee Format: Only tracks featuring Peggy Lee are listed above in other words, not the full track listing. In its heyday, this track album was a treasure trove of debuting masters. Seven tracks were making their very first commercial appearance. It should be noted, in passing, that this album has a companion piece, titled Benny Goodman Presents Fletcher Henderson Arrangements.
The two albums share the same release history, but the Fletcher Henderson item does not concern us here, because Peggy Lee is not featured in it. Concerned about various suspicious details in the data at my reach, I embarked on a search for additional information that eventually proved worthwhile, resulting as it did in numerous corrections of the originally supplied data. Below I have explained the various matters that turned out to need modification or clarification.
Other sources list it as CL It turns out that both listings are correct. The album was issued twice, with the same artwork and track listing but different prefixes GL, CL and different colors for the label of the vinyl black in the GL version, red in the CL version: GL came out first.
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Go to menu top I never heard anything better than a Fender if we’re talking about the big manufacturers. Later on, in the Guitar section, I’ll also talk about Standel and EchoSonic , but they’re produced in such small numbers that it’s fair to say they’ll only have historic interest to the most of us So As long as you get a tube Fender you’ll probably be on the right track, because they all sound pretty good. It doesn’t have to be vintage at all, but they do look pretty cool.
Examples include L-5’s and Super ‘s which have an EA prefix suggestiong , in addition to a separate paper label indicating or
About Guitars Buying a new guitar is a considerable investment for most of us. An instrument is all about inspiration. You are the musician and the guitar is the tool you use to express your feelings and music. This has nothing to do with what models you choose or how much they cost. Some basic knowledge about the different wood types, neck and body profiles, pickups etc will help you in making the best choice. However, over the last decade or so, the MIMs has gotten a considerable face lift and the overall quality is very high.
In fact, the reason why they are cheaper, ha sless to do with quality but rather lower labour costs, cheaper type of laquer and apply methods etc. Japanese Fenders are considered to be above the Mexicans and perhaps even just as good as the US. In the 80s and early 90s, Japanese Fenders were well known for being superior to any other models and the quality is still top notch.
Maple or rosewood necks? Neck wood and contour plays an important role in how the guitar sounds and how it feels to play.
1960’s Vintage Guitars
If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 and I firmly believe, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size.
It is interesting to compare the chronology of the original Czech models and the British Futuramas, trying to keep them all straight.
All models made during WW2. The post-war logo has the “G” and the “N” with a tail that drops below the other letters. Dot on “i” connected to “G”: Dot on “i” free from “G”: Gibson always used nitrocellulose lacquer for all instruments from to present. Some other special order custom colors were available. Prior to , Gibson used mostly spirit varnish. This is very similar to Behlen’s Violin Varnish still available today.
This spirit varnish produces a eggshell crazing patina. Around is when Gibson started experimenting with Nitrocellulose laquer, and by all models were using lacquer. In the lacquer experimentation process began on less expensive models like the opaque white top A3, L3, and Sheraton Brown “A” models.